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  • Strategies for spring-boarding your new initiative

    strategiesSpring is a time of renewal, when the cold chill of winter finally subsides and the landscape outside begins to blossom. It brings about the hope of new life, and that perhaps maybe—just maybe—this year the Royals might have a chance at winning a pennant. Spring also happens to be the time of year when many of our clients launch new sales initiatives, whether introducing a new product or service, or simply looking to enhance their brand.

     

    Like the seasons, some of the thinking about marketing tactics used for promoting products and services have come full circle. For example, before the proliferation of email marketing, customers used to be bombarded with direct mail postcards and offers in their mailbox; only now those same “junk” messages are ending up in inboxes, where they are quickly ignored and deleted.

     

    Generate buzz and excitement.
    Customers like to feel special and unique. Choosing a select group of target customers and offering them a limited trial of your product or service at a reduced rate, or for free, can help generate buzz and excitement for the brand. People who receive “free” stuff usually will tell their friends, either by word-of-mouth, or online through blogs and social media.

     

    While I would normally advise against the use of social media such as Facebook and Twitter for corporate clients (B2B), they can be effective when used to promote B2C brands such as consumer packaged goods or retail products. Identifying the loyal fans whom will sing your praises to their entire network of friends and followers (Seth Godin refers to them as “brand advocates;” Malcolm Gladwell calls them “connectors”), and targeting a message that is relevant to their needs, can help increase sales and brand awareness.

     

    Get the word out.
    Creating a new web site “landing” page, posting a new article on the site blog, or updating your company’s portfolio to build brand awareness is not enough. Unlike in the movie “Field of Dreams” with Kevin Costner, the idea that “If you build it, they will come” does not apply to online marketing strategy—emails and “eBlasts” have become so ubiquitous that most customers simply ignore and delete them before opening and reading them.

     

    A more effective way to get someone’s attention is to develop a highly targeted direct mail campaign consisting of uniquely sized, shaped, or constructed print collateral. Being selective about who you will send these print pieces to is important—instead of buying a generic mailing list with thousands of names and addresses (a shotgun approach to marketing), select a specific target audience who are most likely to not only buy, but who will care about your brand. A few hundred key decision makers—receiving a few highly relevant messages that address their pain points—are more likely to call, email, or visit your company’s website.

     

    Generate Goodwill and Public Interest.
    Ultimately the success of your new product or service offering will depend on the perceptions you create for the brand. Making customers feel valued and important helps generate these positive perceptions.

     

    Developing case studies to create associations between the audience and the brand, so they can see themselves using the product or service in a similar situation, generates interest. One way to do this is to feature reviews from some of your current or best customers, and have them provide a testimonial or story about the quality of the brand. Including these case studies in printed collateral such as newsletters, sales sheets within sales kits, and on the web and within eNewsletters make your brand more believable and relevant to prospective customers.

     

    Issuing press releases to local media outlets about how the brand can solve common problems or change people’s lives, can generate interest in your product or service. These short, one-page releases (the most successful are human-interest ones) can also be posted online at web sites that generate news feeds for all different kinds of media.

     

    Conclusion
    As your company prepares to launch its new product or service, these are some of the tactics that can help kick start the new initiative. Printed collateral not only complements an online strategy, it is essential to and enhances the effectiveness of it. When used as a part of an overall marketing strategy, relevant and targeted communications that generate excitement about the brand, get the word out to those who care, and generate goodwill among them can help “spring”-board your company’s new idea or product.

     

    By: Ryan Hembree, Principal, Brand & Creative Strategy

  • Houston, We Don’t Have A Problem

    Houston Logos

    As the Houston Astros prepare to start the next season in the American League, they are also vamping up their look. Recently, the baseball club unveiled new branding across the board, including new logo, uniforms, and even a mascot. The best thing about this new look (other than the vintage-esque simplicity) is the insight that went in to the final product. After months of research and focus groups, fans resonated with logos of the past, using a the simple “H” and Texas star.
    Houston Logos Secondary
    Houston Orbit
    “We made it a priority early on to just engage as many fans and season-ticket holders as possible, and the more we talked to people, the more we got the idea there was probably an opportunity to make a change in a way that resonated with the fans,” Astros president and CEO George Postolos said. (press release)

     

    As a designer who gets much inspiration from vintage typography and branding, I was extremely excited to see a professional athletic team going in this direction. In a generation of sports logos where everything seems beveled, embossed, and shiny, the Astros have taken a cue from the past with bold simplicity, strong colors, and classic heritage. The new logo is based almost directly on the team’s logos used during the 60s and 70s, with a slab serif “H” placed above a Texas star. The logo uses a very small amount of beveling, which actually works perfectly through the use of subtle color shades.

    Houston New Uniforms
    Houston New Uniforms

    Every element is very tastefully done in a simple, elegant way. One surprising element was the almost boring, expected approach to the team name on the jersey, but at least they are classic and minimalistic. On the other hand, seeing a retro style jersey with the multiple shades of orange along the side puts a smile on my face. In a discreet way, the Houston Astros have created a modern look using a vintage mentality. Even the return of Orbit as the team mascot speaks to this mentality, which fans are obviously excited about.

    Houston Old Uniforms

    Houston Jersey Hat

    All in all, the Astros club seems to be very successful in their entire design and strategy. “The response has been unanimous, people love it. They say, ‘Yes!’” said Astros vice president of marketing and strategy, Kathleen Clark. The use of fans and focus groups to create the design mentality is a token to the club’s culture and respect for it’s hometown. Seeing a wide base of fans responding to a classic, simplistic approach is refreshing for any designer to see.

    Looking forward, hopefully other teams take orbit alongside the Astros and their design decisions. Giving the fans ownership in the new look gives them loyalty and admiration for the team, which can only create a recipe for success.

    By: Neil Ryan, Senior Designer

     

  • A First Class Rebrand Takes Flight

    American Airlines new livery

    American Airlines has revealed a new brand identity from Futurebrand, replacing the work of Massimo Vignelli who in 1967 created the iconic logo that was utilized for over 40 years. Some believe this rebrand was unnecessary, however others believe American was ready for a transformation. To American Airlines, this brand signifies advancing and challenging themselves to renovate, innovate and place their customers at the center of everything they do.

     

    American Airlines new logotype 2012
    American Airlines isn’t completely abandoning their proud past though—in fact, their rebrand is inspired by it. The goal of the rebrand project is to honor the airline’s “Uniquely American” heritage. According to American’s press release:

    “Our new logo and livery are designed to reflect the passion for progress and the soaring spirit, which is uniquely American,” said Virasb Vahidi, American’s Chief Commercial Officer. “Our core colors — red, white and blue have been updated to reflect a more vibrant and welcoming spirit. The new tail, with stripes flying proudly, is a bold reflection of American’s origin and name. And our new flight symbol, an updated eagle, incorporates the many icons that people have come to associate with American, including the ‘A’ and the star.”

     

    American Airlines’ new contemporary look symbolizes their plan for progress and improved customer service by incorporating colors and symbols that the public has come to connect with American. Their new logomark, also known as the Flight Symbol, contains a suggestion of an eagle, a star, and an “A,” as well as a patriotic color scheme. Together they exemplify a modernized version of the core elements of the company for the future of American and America. The Flight Symbol is shared with the airline name, which is set in a custom sans serif typeface named “American Sans.” American has changed, and they want everyone to know it.

     

    The old and new American Airlines Eagle compared.When I first saw the new Flight Symbol, I was instantly impressed by its polished and minimalistic qualities. Initially, I thought the mark was supposed to be peeling away, as if the airlines were emphasizing their timeliness and quick trips. The gradients and 3-D effects of the symbol are done tastefully, however the “American Sans” typeface seems to be an afterthought. The two certainly don’t relate to one another and the type doesn’t reflect the consideration and refinement demonstrated in the mark. Overall, I feel Futurebrand was successful in creating a fresh spin on the elements of the American Airlines brand that everyone has come to know and love.

     

    I look forward to watching how Americans respond to American Airlines’ new look as the company continues to extend their updated identity across the brand’s platform. The fresh look is definitely first class, but it m­ust be tied with a successful marketing strategy if American really wants to see the new brand take off.

     

    By: Ashley Faubel, Designer

  • What is your Brand’s New Year’s Resolution?

    trends_brand-resolutionsAs the crystal ball drops on December 31st marking the start of a new year, people around the world pause to reflect and to make resolutions. Within the business realm, owners, executives, and marketing professionals do the same—by clearing out their budgets, closing out their books, and preparing for new sales initiatives. Now is the perfect time to make your resolutions for the New Year, especially when it comes to sales and business growth. So what are the most common resolutions made, and how can you apply them to your marketing initiatives?

     

    Resolution #1: SPEND MORE TIME WITH FAMILY AND FRIENDS

    You should consider customers your family, because they are the ones who support your product or service offering. Taking a proactive approach to promoting your brand should be a priority, and reaching out to customers on a monthly basis is paramount. Keeping in touch with them on a regular basis is as easy as sending out print or email newsletters, cards thanking them for their continued business, or post cards/mailers announcing recent success stories or informing them of new product offerings.

    Resolution #2: GET ORGANIZED

    The best way to organize your marketing initiatives is to develop an annual marketing calendar. Certain times of the year call for different types of promotions with different marketing messages that are tailored to customer needs—you wouldn’t try to sell ice cream in the winter, nor would you try to sell firewood in the summer. And just like the seasons, marketing calendars are cyclical. Most of our clients tend to develop new print sales collateral in the first quarter of the year to promote new sales initiatives or products. The second quarter usually sees an uptick in the development of new logos and identity packages, while the third and fourth quarters are dedicated to launching new web sites (often to promote the new brand identity we have developed).

     

    Resolution #3: STAY FIT

    Regular exercise is the best way to increase energy and stay fit, however, most people give up on this resolution (and those fancy gym memberships) by February 1st. In business, sticking with this resolution requires more than simply “making a commitment” to do more selling or promoting your brand: it requires action by adhering to the marketing calendar you create (see #2, above). When sales are going well, or everyone is busy with client projects, it is easy to forget about or ignore your marketing plan—however, getting into a healthy and sustainable routine of continually marketing your product or service is essential to the success of your brand.

     

    Resolution #4: STOP BAD HABITS

    trends_social-media_studyChange is hard, especially when it comes to marketing strategies. Many businesses don’t realize that just because a tactic has worked in the past doesn’t always mean that it will work in the future. This can lead to spending money needlessly on

     

    ineffective and expensive marketing initiatives, such as Yellow Pages ads or Search Engine Optimization (SEO) specialists. There has been a lot of press and campaigning for Social Media marketing—however, a recent IBM Digital Analytics Benchmarks Social Summary report found that social media was only responsible for one third of 1% (0.34%) of Black Friday online sales, and less than one half of 1% (0.41%) of Cyber Monday online sales. Avoid these marketing budget black holes by finding out the best way to communicate with your customers, and how to make your messaging relevant to them.

     

    Resolution #5: LEARN SOMETHING NEW

    Businesses should always be on the lookout for new trends within the market, new ways of serving their customers, and new competitors who may pose a threat. Sending a survey to existing and former customers is a great way to find out how you are doing: are you providing them the level of service they desire? Is there something else that you could be doing to make their lives easier, thus providing more value to your offerings?

     

    trends_starbucks_indivisible_campaign

    Resolution #6: HELP OTHERS

    Community outreach, charitable giving, and pro bono work, besides being the right thing to do, is a great way to build goodwill and apositive perception of your company. Target stores donate 5% of their profits to the communities in which their stores are located. Starbucks created their “Indivisible Blend” and bracelets to help raise money to create jobs during the recent economic crisis and downturn. Showing customers and employees that you care about more than the firm’s bottom line motivates them to become advocates for the brand. Be sure to communicate through press releases or newsletter articles about how you are helping contribute to the community.

     

    Resolution #7: TAKE A TRIP

    Traveling to where your customers are can help you keep many of the resolutions listed above. For example, observing them as they make buying decisions (if in retail) or when they use a product or service, can help you learn more about their needs. Attending tradeshows allows for personal interaction with potential and existing customers, keeping you top of mind for future purchases. It is also easier to scope out the competition while at tradeshows, and learn more about how to better communicate with your target market.

     

    Marketing is a year round activity that is essential to business growth and increasing sales. Creating realistic goals and planning, as well as follow through, will help your product or service offering be successful in the coming year. Have you figured out what your brand’s new year’s resolutions will be?

     

    By: Ryan Hembree, Principal, Brand & Creative Strategy

  • DIY Doesn’t Work. Especially when it comes to marketing.

    DIY Doesn't Work
    An often neglected, yet critical component of any marketing strategy is the creation of content that clearly communicates your product or brand’s message. Customer perceptions, sales and revenue, and ultimately, profitability, are all driven by the first impressions and message delivered through collateral and your online presence. Relevant content, in the form of written words and imagery, are just as important as design in creating an effective brand.

     

    Copywriting and photography are highly specialized capabilities that have a tremendous impact on the effectiveness of your marketing efforts. A lot of design and marketing firms do not have these specific resources in-house, so we recommend and bring in outside talent to help. While this means additional budget is necessary, the solutions are more relevant and effective. Trying to save money by “doing it yourself” often leads to mixed results and frustration for everyone.

     

    Clients are smart enough to figure out most things on their own, given enough time, but time is money.The Benefits of Using a Professional Copywriter

     

    As an objective third-party, not privy to the inner workings of your company or brand, copywriters offer an outside perspective on marketing. Since they are not directly affiliated with the brand, they are able to elicit more honest feedback from customers, employees and vendors—invaluable insight that can help improve your product or service offering. They ask probing questions that get to the core of your brand and the benefits it provides; not just what management and employees think, but rather what your customers believe to be true.

     

    Copywriters offer refined and eloquent prose to your marketing message. They distill messages into clear, concise, and understandable language that is more meaningful and relevant to customers. This content is often more search engine friendly (if for your brand’s online presence), grammatically correct, and stylistically consistent. Professional copywriters turn ideas into written words that provoke action from customers.

     

    The Benefits of Using Professional Photography

     

    Stock imagery, photo-sharing web sites, and Google “images” have all contributed to the diminishing perception of the value of using commercial photography. Using the Internet, or snapping a quick image with one of the many available smartphones or high-res digital cameras, allows almost anyone to consider themselves a photographer. It should be no surprise, then, that many companies do not want to commission a professional photographer for their marketing or branding projects.

     

    While it may be cheaper to find free or low-cost imagery online or to “do it yourself,” there are several reasons why this is not an ideal way to build a unique, professional and relevant brand image. Besides being blurry, poorly lit, and low quality, pulling images off of Google, Flickr or other photo sharing web sites can land you in legal hot water, as usage rights are not clearly defined. Even though images from stock photo web sites are “royalty free” with a small fee, they are often generic-looking in that anyone can use them…it’s not unusual for us to come across competitors of our clients who use the same photography in their marketing collateral.

     

    The only way to get truly original and compelling images that engage customers is to hire a professional photographer. They use the proper equipment, lighting, and composition techniques to bring your product or brand to life. And when you factor in the potential cost of searching through thousands of images online, using a professional photographer to capture and create the “exact” 3-4 images you need is actually more budget friendly.

     

    Don’t try to do everything yourself.

     

    The benefits of using outside professionals, such as copywriters and photographers, can far exceed their cost—in terms of time saved, quality of finished product, and overall effectiveness of a project. Just because you ‘can,’ or are capable of doing something, doesn’t necessarily mean you should. In the end, you might not be as happy with the results, and neither will your customers. When it comes to writing and photography, it’s sometimes best to leave that to the professionals.

     

    By; Ryan Hembree, Principal | Brand and Creative Strategy

  • Let the Games Begin

    As I watched the opening ceremonies of the London 2012 Olympic games recently, I felt excited, and maybe a bit nervous, to see how the widely disliked logo would extend through the games. Designed by International brand consultants Wolff Olins, the London 2012 logo has undoubtedly made an impression. The branding project, started in 2007 for a mere $800,000 has caused some to wonder how a logo such as this was so expensive. One week in to the games, I am starting to see just how cohesive and integrated this brand is.

    London 2012 identityLondon 2012 grid

     

     

    At first glance, the logo appeared as a clunky mess with neon colors (not the typical signs of a successful brand.) This is exactly what, five years later, is making this logo a success. The overall wackiness and undeniable freshness creates an instant reaction that is hard to ignore. Regardless of your preference in color choice, the bright, over saturated colors of the brand are cheery and sporty which fit well with the feel of the Olympic games. A custom typeface was also created for the games, using angular, sharp letterforms to create the feeling of movement and energy.

     

    London 2012 wayfinding signage

     

    After the past few years, LOCOG has put hundreds of people to work creating thousands of visual elements for the games, from the signage to the torch design to the color of the seating. The high energy of the brand was aimed at younger generations with the intention of including everyone(although Iran may not feel the same.) To put things in perspective, organizing the design for the Olympics games means creating visuals for 26 olympic sports, 20 paralympic sports, 14,700 athletes, 21,000 media, and 10.8 million ticket holders which is the equivalent of staging 46 world championships simultaneously. Not a small task.

    tickets

    stadium

     

     

    In my opinion, this is the type of brand that may look silly and unorganized, but seeing the visual elements expertly placed throughout the games gives it the credibility it deserves. So after all this work going into the brand, it makes me wonder why NBC has decided to use a different logo for their coverage of the games. This is the one channel in which the majority of US viewers will witness the games and it is fogged by a typical shield shape logo using the Big Ben and Union Jack as the focal point. This instantly throws off the feeling of the brand that should, in my opinion, be used throughout all media coverage of the games. Perhaps NBC couldn’t gain the rights to use the London 2012 logo in their coverage, but it simply disappoints to see a cohesive brand cluttered by a completely different look and feel.

     

    NBC on air identity for London 2012 games

    In closing, I have to give credit to Wolff Olins and LOCOG for defending and sticking with their logo for the past five years. It is paid off and I’m sure is creating an unforgettable experience for everyone attending the games. Hopefully in coming years, the Olympic brand will be pushed through to every media outlet in order to create a seamless experience for everyone around the world.

     

    By: Neil Ryan, Senior Designer, Indicia

  • Has your web site expired?

    Web sites—like all fresh produce, cheese, meat or milk—have expiration dates. Usually these other items will start to smell bad to warn of their impending demise, but how can one tell if a brand’s web presence is starting to become a little stale? Determining a web site’s expiration date is not as complicated as one might think.

    Does your web site stink?

    If it has been a couple of years since the last update, or there is still a counter on the bottom of the homepage, it is probably time for a new web site. As one of the first impressions of your brand, the web site must remain fresh and relevant to prospects and clients alike. Too often, however, marketers have Ron Popeil’s “set it and forget it” attitude about their site—once launched, they neglect this powerful marketing tool.

     

    Humans are wired to detect visual stimulation and change–that’s why marketers change product packaging of your favorite brands every six months, often to signify a “New” or “Improved” formula, size, or offering. Your brand also consists of packaged products or services, and updating the graphics, navigation and content of your web site signals change, evolution and continued relevance.

     

    Besides becoming visually “dated,” older web sites can fall behind the technology curve as well. The ways in which people access and consume information has changed—smart phones and tablets have become increasing popular for business and leisurely browsing. Given that the majority of these devices are Apple’s iPods, iPads, and iPhones, it is important that web sites use CSS, responsive design principles, and HTML5 for video instead of Flash (which won’t display on these iOS devices).

     

    Finally, updating a brand’s web site also increases web traffic. It gives customers a reason to check out your web presence, generating excitement and word-of-mouth marketing. While you’re at it, be sure to sign up for Google Analytics… it’s free, and the code that is added will allow you to track which web pages are being viewed the most, for how long, and where visitors are coming from. Using this information, it is possible to further refine the brand’s messaging and become even more relevant to the target audience.

     

    All marketing materials have a useful lifespan. For web sites, no more than 2–3 years should elapse between major updates to the content, messaging and visuals. Is your web presence in danger of expiring soon?

     

    By: Ryan Hembree, Principal | Brand and Creative Strategy, Indicia Design, Inc.

  • Nets & Hoops to Brooklyn

    Brooklyn Nets Identity

     

    The Nets are moving. No, not waving in the wind–the NBA team formerly known as the New Jersey Nets have a new home. And with the move to Brooklyn they are getting a new brand.

     

    Unveiled on April 30, the new brand is inspired by 1950’s style New York subway signage. The brand colors are black and white, which aids in the classic feel. The primary logo kept to its predecessor by using the same shield shape and basketball with the iconic Brooklyn ‘B’ imposed over it. The throwback, retro brand was supposedly ‘designed’ by minority owner Shawn Carter (a.k.a. Jay-Z). But how much involvement he actually had in the process is unknown.

     

    The new look is said to be different than other teams’ looks, just as Brooklyn is different than anywhere in the world, says team CEO Brett Yormark. He also says they will be the only NBA team with only black and white as colors and describes the new look as simple, crisp, classic and urban.

     

    I agree that the classic look and colors will differentiate itself from the rest of NBA teams. It is refreshing to see a sports team go away from the pack of swoosh-whiz-bang visuals to a place uncharted for decades by using simple, non-obtrusive branding. It’s a nicely designed opposite-thinking type of design; one that looks like it is having a positive effect on sales, as NBAStore.com reported that sales of apparel on the unveiling day alone were higher than it sold all of last season.

     

    Brooklyn Nets LogoI applaud the original look and intent to differentiate. I enjoy the visuals from a distance–not overdone and perfectly simplified. But does it have what it takes to be timeless and sophisticated? Looking closer at the primary logo, it seems to have some odd tendencies. The text NETS feels steamrolled and thrown on (the S looks as if it has been steamrolled twice in opposite directions). The space to the top left of the N and to the to right of the S is very strange–the whole word would feel crisper had it followed the shape of the outer shield. The basketball lines, although accurate, would fit better with the iconic look if the line weight was the same throughout. With the addition of BROOKLYN placed under the shield, it makes the whole logo feel like it is going to tip over due to the relationship between the shield and BROOKLYN text being disproportional. Decreasing the size of the shield would benefit the look.

     

    Although most of the elements in the primary logo don’t have the cohesive quality that an NBA team deserves, I still rather enjoy it. I like it for the fact that it doesn’t look corny, cheesy or multi-shadowed. It could use some fine-tuning, but the overall feeling of the retro throwback brand makes me feel like they know where they came from. I give it a B for effort (and Brooklyn).

     

    Will the required footwear will be black and white Chuck Taylors?

     

    By: Justin Leatherman, Art Director

  • Responsive Web Design

    In recent years, we have seen a steady growth of mobile devices being used to surf the web, and as a result, a steady rise in clients requesting to have a mobile version of their site. Designers and developers alike responded by creating a desktop and mobile version of a website. This approach was effective for a while, but with the ever-growing landscape of the web, it became more of a problem than a solution. Ethan Marcotte explains:

     

    Responsive Web Design Illustration

     

    “Mobile browsing is expected to outpace desktop-based access within three to five years. Two of the three dominant video game consoles have web browsers (and one of them is quite excellent). We’re designing for mice and keyboards, for T9 keypads, for handheld game controllers, for touch interfaces. In short, we’re faced with a greater number of devices, input modes, and browsers than ever before.”

     

    Enter responsive web design. The dictionary defines “responsive” as reacting quickly and positively. In web speak, responsive design refers to a website that reacts according to the screen size, platform, device and even orientation. The advantages are centered around cost-effectiveness and user experience. For designers, it allows us to streamline the design and development process by using a mix of flexible grids and CSS media queries. Creating one design and a few stylesheets allows us to shorten the time it takes to create a web site.

     

    For clients, visitors enjoy an improved user experience no matter what device they use to view a website. Gone are the days when slideshows looked beautiful on big screens but become a nightmare to navigate around when using mobile devices. Now we control what information is delivered and what is hidden within the same page depending on the size of the screen.

     

    Responsive design is continuously evolving, and new projects aimed to improve upon it are developed everyday. Ultimately, the decision to have a responsive site is influenced by factors that go beyond the technology, such as overall web strategy. Just because something is cool doesn’t mean it will be effective. Designers and clients should not treat web site design like pet projects where we test out things and hope it works out in the end.

     

    By: Emilio Servigon, Web Designer, Indicia

  • Intellectual Property Rights and Your Brand: What to Expect From Your Creative Firm

    Intellectual property (IP for short) and copyrights can be particularly tricky issues that companies and brands must navigate as part of their relationship with a creative services firm. For example, when projects are completed, clients may receive logo files, printed brochures or a web site. But do they really own the rights to those files, or are they just leasing them?

     

    Usage rights, such as ownership of intellectual property and copyrights, are typically defined in the “terms and conditions” of a contract or proposal for design services, and are meant to protect the design firm or agency. Sometimes, however, these stipulations are not in alignment with client needs. To help clear up some of the confusion about this issue, let’s examine what rights companies and their brands are entitled to, especially after paying in full for a given project.

     

    Intellectual Property Rights. What you are really paying for.

    Rights that you should be granted when you pay for creative work

     

    Unethical creative firms might try to sell “limited” rights to produce a certain number of brochures, or use the web site for a certain period of time, after which you must pay them more money for the continued usage. This used to be typical of certain types of creative professionals, such as photographers and illustrators, (digital competition has all but eliminated this practice). Remember having to pay outrageous prices for photographic prints, since the rights to the film negatives were “owned” by the photographer?

     

    Make sure the usage rights purchased are “exclusive” and “full” or “unlimited,” meaning that only your company or brand has the right to reproduce the artwork any way it sees fit. It goes without saying that all logos, business systems (stationery), and sales collateral should be granted full and unlimited usage rights. You are also entitled to request a copy of all final digital files for the piece, no matter what it is.

     

    What you don’t get just because you pay for creative work

     

    Usage rights are a means in which creative firms protect their initial concepts and ideas so that preliminary work cannot simply be taken to another firm for execution and reproduction. Companies typically buy the usage rights to ONE of the ideas or concepts that is developed to solve a creative challenge—not all of the ideas. These preliminary ideas might include handwritten notes generated during the Discovery Meeting, to sketches on the back of a napkin.

     

    This same principle applies even if during the course of a project third party services are used. Copywriters will take copious amounts of notes, and many ideas end up in the waste bin before relevant content is ever developed. For photographers, there are several “outtakes” that are created before capturing the perfect, staged image (and in some cases these can be more appropriate for the project).

     

    Rights that are negotiable with regard to creative work

     

    With certain branding projects, however, it may be important that clients retain all usage rights to concepts and ideas generated for a project, such as when developing a new product for the market. A non-disclosure and/or confidentiality agreement is signed prior to work beginning, and then all concepts become the property of the client.

     

    Photographers might agree to give all digital images to a client to help them build a digital library. These are in addition to the final, retouched photographs. Or, an illustrator may agree to develop all concepts presented for an additional charge. Unless reasonable fees or prior arrangements have been made, clients should not expect to receive the unlimited and full usage rights to preliminary work, and it remains the property of the creative firm.

     

    When it comes to intellectual property and your brand, don’t make assumptions that you are getting everything you think you are paying for. If a brand manager or marketing director is unsure of what usage rights they are being granted once a project is paid for, ask the creative firm for an explanation, and get it in writing. Most firms are receptive and amenable to granting additional rights—especially if it means retaining a long-term client.

     

    By: Ryan Hembree, Principal | Creative and Brand Strategy